The Best Canon EOS Rebel T6s Microphones in 2023

Best microphones for Canon EOS Rebel T6s DSLR camera. Looking for the recommended Canon Rebel T6s microphones? Here are our top recommended Canon T6s Microphones.

Best Microphones for Canon EOS Rebel T6s

Rode VideoMic GO II

Camera-mount Lightweight Directional Microphone
Rode VideoMic NTG

Camera-mount Shotgun Microphone
Rode VideoMic Pro+

Camera-Mount Shotgun Microphone
Rode NTG5

Shotgun Condenser Microphone Kit
Rode VideoMicro

Compact On-Camera Microphone with Rycote Lyre Shock Mount
Sennheiser Professional MKE 600

Shotgun Microphone with XLR-3 to 3.5mm Connector for Video Camera
Sennheiser Professional MKH 416-P48U3

Short Shotgun Interference Tube Microphone
Rode VideoMic Pro

Compact VMP Shotgun Microphone
Sennheiser MKE2

AVX Digital Lavalier Pro Wireless Microphone System
Rode Wireless GO II

Single Compact Digital Wireless Microphone System/Recorder Bundle with Omnidirectional Lavalier Microphone for Wireless GO Systems
Sennheiser EW 100 ENG G4

Camera-Mount Wireless Microphone System (G: 566 to 608 MHz) with SKB iSeries Waterproof Case & Charger (4 NiMH Battery) Bundle
Hollyland Lark 150

Wireless Dual Microphone System,2.4GHz Digital Wireless Transmission with Charging Case

The Canon EOS Rebel T6s, as well as its companion, the T6i (known as the 760D and 750D outside of the US), both, feature a new 24.2MP APS-C CMOS sensor (up from 18MP on the T5i / 700D) coupled with a new 7560 pixel RGB + IR metering sensor for more accurate metering. Although both cameras are very similar there are also distinct differences, so each will get its review. You can read about the T6i here.

Canon’s new Hybrid CMOS AF III uses sensor-based phase-detection points for increased focus speed and accuracy in live view. It also permits Servo AF in live view, which lets you track moving subjects when shooting in live view. Canon claims that the performance of Hybrid CMOS III should be close to that of Dual Pixel AF (found in the EOS 70D and 7D II) (found in the EOS 70D and 7D II). With the mirror down, the Rebels T6s uses the same 19-point phase detection AF as the 70D, which represents a vast improvement over the 9-point AF system in the T5i. The ISO range remains the same as its predecessor, 100-12800, expandable up to 25600.

Canon EOS Rebel T6s (760D) key features

  • 24.2MP APS-C CMOS sensor
  • 19-point autofocus system
  • Hybrid CMOS AF III focus system (live view) (live view)
  • 7560-pixel RGB+IR metering sensor that can pick up skin tones
  • 3″ touchscreen LCD that moves in all directions
  • For use with an optical viewfinder, an eye sensor
  • The top plate has an LCD of information
  • The quick control dial on the rear
  • 5 frames per second shooting
  • 1080/30p video
  • Servo AF in live view
  • Wi-Fi with Near Field Communication

1. Rode VideoMic GO II Ultracompact Canon Rebel T6s Shotgun Microphone

The Rode VideoMic GO II ultra-compact shotgun microphone is a smaller, more simplified version of the very versatile VideoMic NTG. It is a big change from the original VideoMic GO, with major improvements to the body, shock mount, cable, and more.

It gives video content creators, run-and-gun filmmakers, voiceover artists, and podcasters the sound of the well-known NTG shotguns in a convenient camera-mount mic that works with cameras, portable recorders, iOS, and Android mobile devices, and USB-equipped computers.

You can use the VideoMic GO II as a traditional shotgun mic for your DSLR or turn it into a digital Canon EOS Rebel T6s microphone by connecting it to your smartphone, tablet, or laptop with a cable that you can buy separately. In both cases, it offers focused directivity, low noise, and isolation from outside vibrations.

When used as a USB microphone, the 3.5mm jack works as a headphone output so you can listen to the live signal or playback from your host device. The mic is easy and quick to use because it works with the plug-in or USB power and has no controls or switches.

2. Rode VideoMic NTG Hybrid Shotgun Microphone

The Rode VideoMic NTG gives video content creators, run-and-gun filmmakers, voiceover artists, and podcasters the sound of the highly regarded NTG shotguns in a convenient camera-mount mic that doesn’t need any extra adapters to work with cameras, smartphones, tablets, portable recorders, and USB-equipped computers.

The VideoMic NTG has a focused directivity, a continuously variable gain, digitally switched tone controls, and an internal USB-rechargeable battery. It has clear sound quality and a lot of different uses. Because it is made of aerospace-grade aluminum, the VideoMic NTG is strong, small, and light, so it can be used on a camera or a boom pole.

The 3.5mm TRRS output and the TRRS cable that come with it make it compatible with cameras, portable recorders, mobile devices, and computers without the need for adapters. You can easily keep your recordings from getting distorted with the help of a peak warning light, a -20 dB pad, and a -20 dB safety channel that you can choose. When you use it as a Canon Rebel T6s USB microphone, the 3.5mm jack is a stereo headphone output that lets you listen to your signal in real-time. With firmware version 2.0, the VideoMic NTG is now MFi-certified for use with Lightning-equipped Apple iOS mobile devices (iPhone, iPad, and iPod) when paired with the Rode SC15 USB Type-C to Lightning accessory cable (available separately).

3. Rode VideoMic Pro+ Canon T6s Microphone

The Rode VideoMic Pro+ is great for mobile journalists, vloggers, budget filmmakers, and run-and-gun shooters who need a flexible camera-mount shotgun mic that works well on a boom pole. It has more power options, more tonal control, and a redesigned windscreen than the VideoMic Pro.

The VideoMic Pro+ can meet the needs of videographers working in a variety of indoor and outdoor settings because it can be powered by either a battery or a USB cable. It also has improved RF immunity, an adjustable gain, and several features that improve clarity.

This shotgun microphone is small and light. It has a built-in shock mount that you can attach directly to your camera or boom pole to reduce noise from vibrations. The new windscreen design cuts down on wind noise, making it a good choice for shooting outside.

The 3.5mm TRS output and detachable cable make it easy to connect to your camera. The selectable safety channel keeps the audio from getting distorted by accident by sending a duplicate signal at a lower volume.

4. Rode NTG5 Moisture Resistant Short Shotgun Microphone

The Rode NTG5, which is shorter and lighter than the NTG3 and has a flatter bass response, is a moisture-resistant Canon Rebel T6s shotgun microphone that lets you record natural, uncolored sound indoors or outdoors for your next indie film, TV shoot, or documentary project without making your rig too heavy.

It is great for a wide range of location recording situations because it has professional-level features like ultralow-noise circuitry, a smooth off-axis response, and a tight low end. Plus, it has a furry windshield and a pistol grip shock mount that can be attached to a boom pole for more options.

Because the NTG5 is so sensitive, you don’t have to crank up the gain on your mic preamp to get strong output levels. The NTG5 has a clear sound because of its innovative circular acoustic ports, gentle rise in high frequencies, and attenuation of low bass frequencies that reduce rumble. It is easy to set up because it doesn’t have any buttons or dials. This lets you focus on the sound instead of fiddling with the mic settings. With RF-bias technology and conformal coating, performance is always reliable, even in harsh environments.

5. Rode VideoMicro Ultracompact Canon Rebel T6s Microphone

Switch from your camera or portable recorder’s built-in mic to the Rode VideoMicro ultracompact camera-mount shotgun microphone for better sound quality and less wind noise without adding weight to your setup. The VideoMicro is a simple and reliable microphone that runs on plug-in power and has no controls or switches. It’s great for mobile journalists, vloggers, and run-and-gun shooters because it’s easy to use and works well.

This ultracompact and ultralightweight shotgun Canon Rebel T6s microphone has a detachable shock mount that mounts directly to your DSLR, mirrorless, or video camera and reduces noise from vibrations and handling of the camera. The supplied furry windshield cuts down on wind noise, which makes it a good choice for shooting outside.

The detachable, coiled 3.5mm TRS cable makes it easy to connect to your camera, and the dual-mono output means that your recording device doesn’t need to be set to a specific channel.

6. Sennheiser MKE 600 Shotgun Microphone

Switch from the built-in mic on your camera to the Sennheiser MKE 600 battery- or phantom-powered shotgun microphone to improve the sound quality of your videos. Its focused directionality and resistance to structure-borne noise make it a good choice for a wide range of productions, from independent films and web series to nature shows and documentaries.

The MKE 600’s high sensitivity and low-noise circuitry make it possible to get better sound quality from noisy camera preamps without using a lot of gains. With a natural roll-off at 40 Hz and a low-cut filter that can be set at 100 Hz, the MKE 600 can make speech clear while reducing rumble and other low-frequency noise. Also, its frequency response has a slight rise in the treble to make speech sound clearer.

The metal housing is strong and light, so it won’t weigh down your rig but will still be tough. The shoe shockmount that comes with the MKE 600 lets you attach it to a camera or tripod. Connect the mic’s XLR output to an XLR mic preamp, or use the adapter cable that came with the mic to plug it into a camera’s 3.5mm mic input.

7. Sennheiser MKH 416-P48U3 Shotgun Microphone

With the Sennheiser MKH 416-P48U3 moisture-resistant shotgun microphone, you can record great sound in tough conditions for your next professional film, TV show, or location recording. Sharp directivity, low noise, and strong output give it a sound that is ready to be mixed. Plus, there are no controls to worry about, and the MKH 416-P48U3 gives you the reliability you need for high-pressure gigs.

At low to midrange frequencies, the Canon EOS Rebel T6s microphone has a hypercardioid polar pattern, and at high frequencies, it changes to a lobar pattern. This lets it reduce sound from 125 Hz to 2 kHz by about 10 dB at 90° off-axis points. Thanks to the MKH 416-P48U3’s wide frequency response, improved consonant articulation, and high SPL handling, you can record dialogue, foley, and sound effects with full dynamics and clarity.

8. Rode VideoMic Pro Shotgun Microphone

The Rode VideoMic Pro camera-mount shotgun microphone is great for mobile journalists, vloggers, budget filmmakers, and run-and-gun shooters who want a cheap way to step up to the next level of quality. It has less noise, is more sensitive, and has more adjustable settings than the VideoMic.

One 9V battery can power the light for up to 70 hours, and a red LED shows when the battery is low. With a gain that can be changed and a bass roll-off that can be turned on or off, it’s easy to get the right level and tone for a wide range of situations.

This shotgun microphone is small and light. It has a built-in shock mount that you can attach directly to your camera or boom pole to reduce noise from vibrations. The windscreen cuts down on wind noise, which makes it good for shooting outside.

The 3.5mm TRS cable that comes with it makes it easy to connect to your camera, and the dual-mono output means you don’t have to change the channel on your recording device.

9. Sennheiser AVX-MKE2 SET Wireless Omni Lavalier Microphone

The ultra-compact Sennheiser AVX-MKE2 SET is a reliable wireless Canon T6s microphone system for professional videographers, video journalists, or vloggers. It’s so easy to use that it’s like having a sound engineer on set to handle audio tasks.

This self-configuring digital system was made to be easy to use without sacrificing sound quality. It takes care of time-consuming tasks like setting up the frequency and adjusting the mic level, so you can start shooting in seconds. Now, you can focus on the other important things that need your attention during a shoot, and you can be sure that your camcorder, DSLR, or mirrorless camera will record crisp, clear audio.

This set includes a camera-mount receiver, a bodypack transmitter, and a professional MKE 2 omnidirectional miniature lavalier mic. It is great for projects like wedding videos, corporate videos, and hands-free interviews, as well as broadcast TV and documentaries.

10. Rode Wireless GO II Compact Digital Wireless Omni Lavalier Microphone

The black Rode Wireless Go II system improves on the original Wireless GO by adding features like two-person shoots, onboard recording, a much longer range, and flexible output options. It lets videographers, vloggers, and mobile journalists confidently and quickly add wireless audio to their setup, no matter what device they’re recording to or how much experience they have.

With its secure Series IV 2.4 GHz digital transmission, easy operation, and built-in mics (lavalier mics are sold separately), the system is ready to go at the press of a button. You can focus on getting the shot knowing that the Wireless GO II is sending quality audio up to 656 feet away.

There are no complicated menus or dials. You just turn it on and go. The LCD screen is clear and shows you everything you need to know. When you’re ready for more, you can use the Rode app to access a powerful set of features and more ways to change the settings.

11. Sennheiser EW 100 ENG G4 Wireless Combo Microphone

The EW 100 ENG G4 is made to work with a wide range of applications. It gives you the tools you need to adapt to and solve the wireless problems that will come up on set.

The system has a bodypack transmitter with an omnidirectional ME 2-II lavalier mic, which is great for interviews where you don’t want to use your hands. Also included is a plug-on transmitter that can be attached to a handheld dynamic microphone of your choice for man-on-the-street interviews or to a shotgun mic for wireless booming (both types of mics are available separately).

The camera-mount receiver can be attached to a camcorder or DSLR/mirrorless camera to record clear speech or dialogue for projects like wedding and corporate videos, documentaries, and vlogs.

The EW 100 ENG G4 is compatible with previous evolution systems, so you can mix and match G4/G3/G2/G1 receivers or bodypack, handheld, and plug-on transmitters. It also works with systems that use EW 500.

12. Hollyland LARK 150 Compact Digital Wireless Microphone

With the black LARK 150 2-Person Compact Digital Wireless Microphone System from Hollyland, you can add a pair of small, clip-on wireless microphones to your two-person interview, YouTube video, documentary production, or vlog.

The LARK 150 has two ultra-compact microphone transmitters and a receiver that work together to offer a portable, cost-effective, all-in-one solution for recording two subjects at once to your camera, smartphone, audio recorder, or another device with a 3.5mm input jack.

Each of the tiny transmitters weighs less than 1 oz and has an omnidirectional microphone built in. This makes it easy to clip them onto shirts and lapel collars for quick interviews. The built-in mics have a design that keeps them from shaking and smart noise cancellation to ensure you get great sound quality and clear, understandable audio.

For a less obvious look, you can use the Canon EOS Rebel T6s lavalier microphones that come with the transmitters and plug them into the 3.5mm input ports on the transmitters. With a short press, the power button on the transmitter also works as a two-way mute button.

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